Head designer and creative
director Karl Lagerfeld took his bow at the end of the Chanel show last
month in Paris, as he paid homage to the legacy of Gabrielle Bonheur
Chanel, who opened her first store 100 years ago.
celebrations will take place this year, not least a film directed by
Lagerfeld himself of the madamme
if you do not own anything with an interlocking ‘C’, it’s worth wishing the brand many happy returns, not least for
the fact that Coco — as she liked to be called (it was a nickname from
her brief career as a singer) — changed the way women dress for ever.
She even changed how we smell by
launching her No 5 fragrance in 1921. It was the first perfume to bear a
fashion designer’s name on the label, and with 10 million bottles sold
worldwide last year, it remains the biggest-selling fragrance ever
what the masses wanted to wear, and that ‘in order for there to be low
fashion, there must first be a high one’.
Most importantly, she forged an empire
that still bears her name: Chanel. Coco worked hard all her life, often
six days a week, immersing herself in her career. She died in her
apartment at the Ritz Hotel in Paris in 1971, aged 87, having designed
almost to the end.
Lagerfeld, who took over the house in
1983, can be viewed as a silly, vain man, but that he’s breathed new
life into a house that had been languishing is beyond dispute. Under his
watch, a Chanel fashion show has become an event.
often need to be shown to black-suited bouncers, as if you are about to
enter a different country — which in a way you are. His stage sets are
increasingly outlandish: a giant iceberg featured in the ready-to-wear
show in 2010/11, and last year’s couture collection show took place
inside an aeroplane.
Lagerfeld has introduced some howlers: bum bags and fingerless gloves,
for example. But as Chanel defied two world wars, and a recession, so
too is Lagerfeld flying in the face of propriety, seeing his brand soar
where others are faltering.
His show last month proved there is
nothing new in fashion to be discovered: he featured over-the-knee
waders, which Coco Chanel wore to go fishing in Scotland with the Duke
of Westminster. Metallic thread brought tweed to life — just as it had
in the Thirties.
enormous globe hovered over the catwalk, covered with teeny flags
depicting the location of every Chanel store on the globe — the Far East
by far the area most densely speckled.
I was an editor, I was once allowed to sneak upstairs to Mme Chanel’s
private office — which positively reeked not of Chanel 5 but of
loneliness, and of her giant suede couch.
that time, I was also given a black quilted ‘2.55’ bag with a gilt
chain, which I promptly gave away to an OAP. Of all the freebies
showered on me, this is the one item I wish I’d kept. You know you have
grown up when you own a piece of Chanel — which is just part of the
reason the brand has remained both iconic and current.
might have added bling, but what remains are the slightly masculine
lines that women of any age and shape can wear — although not, sadly, of
any bank balance.
you want to immerse yourself in the spirit of Chanel, visit the boutique
in Rue Cambon in Paris. It opened at No 31 in 1919, yards from her
first Paris shop at No 21 and right behind the Ritz. A shop devoted to
accessories, perfume and beauty products soon stood alongside it.
the last six minutes of the movie Coco Before Chanel for a parade of
the house’s greatest fashion hits descending the mirrored staircase at
her couture house.
can also gaze at the 1937 black trouser suit made of fish-scale
sequins, teamed with a silk chiffon blouse buttoned with pearls, which
is currently on display at the V&A.
As Chanel herself said: ‘I gave women the ability to laugh and to eat without doing themselves an injury.’
Something which perhaps is sadly missed with the fashion designers of today